In my previous post about Keeping the Negatives in the Closet - an author replied and added a very good piece to the reviewing tableau that I missed.
Yes, I said to "know your publishers", but that was referring to book size and style: shorts and serials.
She contributed a valid observation. Be aware of the HEAT LEVELS of the books published by the publisher.
If a reader/reviewer is requesting from, for instance, White Rose Publishing - then expect sweet romances only, with inspirational themes.
If a reader/reviewer is requesting from Ellora's Cave , then you can expect romances that turn the sheets to ashes from the intense passion and heat in the bedroom.
For a reviewer to mark a book down because they wanted an erotic romance and received instead a book with sensual nuances, happiness and the ending is only a kiss of celebration and commitment, then that's totally wrong on the reviewer's part. For shame!
Don't make the book pay for your mistake. Again, if you are lucky enough to belong to a review site, (assuming the book is not a print) where you can easily say, "Please put this book back up for grabs", do so.
No review should have a negative comment about heat levels when it's the nature of the publisher to be sweet or nice and have no bedroom action. Conversely, if a reader is of a delicate sensibility and they find the book has some BDSM and are shocked...return the book, don't mark it down. You shouldn't punish the author with a bad review because the elements weren't your cup of tea.
Know Your Publishers!
Showing posts with label negatives. Show all posts
Showing posts with label negatives. Show all posts
Sunday, January 15, 2012
Wednesday, January 11, 2012
Keep The Negative in the Closet
Happy New Year! It's been awhile but reviewing goes on. Thank goodness for that.
In previous posts, I've mentioned how a review is subjective. It's an opinion and everyone has different tastes or expectations. That has not changed.
What needs to change and what reviewers need to be aware of, are the kinds of personal opinions that should not be in a review.
I'm talking about making the decision for a reader that a book isn't worth the money because of its size. I've mentioned before that a reviewer should not rate a review lower just because the formatting is wonky on their electronic reading device - Kindle or NOOK. (Pinned Down to the Mat)
Today, I'm adding another "AVOID THIS".
Please, do not make negative or disparaging comments about a book because of its size. Or because it was a part of a series and you 'felt lost', or because you checked the publisher website and felt the price was too much for such a short story. A tale can be told well in as little as twenty pages. Does that mean that people should not buy it because of its length and miss out on a well crafted tale? No.
A reviewer's role is to comment on the content of a book. What is inside that makes it the story it is. The characters, plot, dialogue, setting, personal interaction between protagonist and antagonist are all topics that readers expect to see discussed. Do not anticipate that a reader is going to be disappointed at the length or the price of the book. Do not let personal feelings distract you from the contents. Don't presume that you can speak for all readers.
Speaking of speaking, be alert to tales from across the pond. What do I mean?: "spelled" is "spelt", color is "colour", a 'dustman' is a garbage collector, tire is "tyre", check is "cheque", and humor is "humour".
If your book takes place in England or Australia, or more likely, the publisher is based there, then words spelled in that manner will pepper the story. Do NOT take points off the rating for these. They are not evidence of bad editing or typographical errors. They are geographically and culturally correct. If the British spelling bothers you bad enough to want to drag down the rating, return it. Or better yet, learn to enjoy the unique flavor reading books from other countries can provide and expand your trivia for Jeopardy.
Another thing that I've noticed - reviews being written about a type or genre never before attempted. On the whole, that is a very good thing. It shows the reviewer is expanding their reading base. The downside is a review riddled with negatives because the parameters of this new sub-genre are not only foreign to them, but perhaps outside their comfort zone. They inadvertently try to paint it with the same brush as the comfortable "old shoe" genres they already read. By doing that, of course, it won't rate high - hence a negative review.
If such is the case, don't review it. If you are lucky enough to be a part of a review site that lets reviewers pick and chose the books they’ll read, return it.
I have a suggestion for you. Instead, before choosing a book in a new kind of story technique or subject, investigate how the genre reads before attempting to review it. Find out what is normal and typical for style. Read other reviews to get an idea of what it's all about. You'd be doing yourself and readers of your reviews a huge favor.
Another aspect to keep in mind - a reader may very well have been following a series or a reader may be buying from a site that specializes in short stories of fifty pages or less because that fits their needs. You know what that means, right? That they find treasure in something you want to trash. You see, a reader is as variable as the books that get published. Their reading needs are fluid so some days a short eighteen page erotic romp between a were-wolf, a were-mink and the farmer's widow is just right. The next week that same reader will crave a high-brow murder mystery with emotional elements even Oprah would swoon over.
A reviewer needs to be objectively subjective. If a reviewer is concerned that they might accidentally request a book that is part of a series and they usually avoid those because they don't like feeling left out, check the publisher website before asking for the title. Quite a few list all the books in a series. Some author's sites do the same.
Additionally, there are many books out there that are part of a series and yet are complete unto themselves. But don't assume. If a reviewer does end up with a soap opera type tale where you really do need to understand what went on before, but there was enough to entertain you and keep you because it was that good - then resist making it a negative. Just give a reader a heads-up. Like this:
"This book totally kept my interest and it had a lot going for it. I had fun and I enjoyed the snappy dialogue between the hero and heroine. However, I need to give readers a heads up that this isn't a standalone read. I could tell there were pieces missing and I also realized that my reading experience could have been richer had I read some of the previous books in the series. As it is, it's definitely worth checking out. It has certainly whetted my appetite for more and I can't wait to find out!"
This example lets a reader know that it is enjoyable while giving voice to something positive. It also gives the information that it's a part of a series and while not a standalone, that the reviewer was able to enjoy the story as is. For first time readers, they'll understand what the book offers and what it lacks. In no way does it allow a reviewer's disappointment to color the review with a negative flavor. And remember, for followers of the series, they are going to want to know what works in the story as it is. They know what’s going on, so please avoid trashing it just because you didn’t.
Taking this one step further – I agree that a really super awesome book will not leave a reader feeling like they missed one of the main courses in their five course meal. I also know that books in a series can and do give you a complete tale while leaving cookie crumbs about the overall story arc. Be aware that there are publishers that excel at and promote short stories in a serial manner, much like the old T.V. cliff hangers. Once all the installments are revealed, they’ll then publish a “collection” which condenses them all into one giant volume.
Know your publishers.
If that is the style they are known for and you’re not a serial reader, then avoid reviewing the installments. Wait for the collection. Or read tales from a different publisher. But don’t paint a story in a negative light for things outside of the actual contents in a book (book length, cost, unfamiliar genre).
There are enough reasons to rate a book lower, from plot holes an elephant can fall through, lazy editing (let's call the hero different names), alpha men who wail and squeal and waffle, heroines who aren’t assertive but abrasive and unlikable (you want to make her go down those squeaky stairs into that dark musty cellar with the creepy scratchy noises when the lightbulb pops), and dialogue that doesn’t match the characters’ personalities (A regal queen talking like a punk rocker on steroids), just to name a few.
Please remember: review the book, the story, the part that people read. Everything else is up to them.
In previous posts, I've mentioned how a review is subjective. It's an opinion and everyone has different tastes or expectations. That has not changed.
What needs to change and what reviewers need to be aware of, are the kinds of personal opinions that should not be in a review.
I'm talking about making the decision for a reader that a book isn't worth the money because of its size. I've mentioned before that a reviewer should not rate a review lower just because the formatting is wonky on their electronic reading device - Kindle or NOOK. (Pinned Down to the Mat)
Today, I'm adding another "AVOID THIS".
Please, do not make negative or disparaging comments about a book because of its size. Or because it was a part of a series and you 'felt lost', or because you checked the publisher website and felt the price was too much for such a short story. A tale can be told well in as little as twenty pages. Does that mean that people should not buy it because of its length and miss out on a well crafted tale? No.
A reviewer's role is to comment on the content of a book. What is inside that makes it the story it is. The characters, plot, dialogue, setting, personal interaction between protagonist and antagonist are all topics that readers expect to see discussed. Do not anticipate that a reader is going to be disappointed at the length or the price of the book. Do not let personal feelings distract you from the contents. Don't presume that you can speak for all readers.
Speaking of speaking, be alert to tales from across the pond. What do I mean?: "spelled" is "spelt", color is "colour", a 'dustman' is a garbage collector, tire is "tyre", check is "cheque", and humor is "humour".
If your book takes place in England or Australia, or more likely, the publisher is based there, then words spelled in that manner will pepper the story. Do NOT take points off the rating for these. They are not evidence of bad editing or typographical errors. They are geographically and culturally correct. If the British spelling bothers you bad enough to want to drag down the rating, return it. Or better yet, learn to enjoy the unique flavor reading books from other countries can provide and expand your trivia for Jeopardy.
Another thing that I've noticed - reviews being written about a type or genre never before attempted. On the whole, that is a very good thing. It shows the reviewer is expanding their reading base. The downside is a review riddled with negatives because the parameters of this new sub-genre are not only foreign to them, but perhaps outside their comfort zone. They inadvertently try to paint it with the same brush as the comfortable "old shoe" genres they already read. By doing that, of course, it won't rate high - hence a negative review.
If such is the case, don't review it. If you are lucky enough to be a part of a review site that lets reviewers pick and chose the books they’ll read, return it.
I have a suggestion for you. Instead, before choosing a book in a new kind of story technique or subject, investigate how the genre reads before attempting to review it. Find out what is normal and typical for style. Read other reviews to get an idea of what it's all about. You'd be doing yourself and readers of your reviews a huge favor.
Another aspect to keep in mind - a reader may very well have been following a series or a reader may be buying from a site that specializes in short stories of fifty pages or less because that fits their needs. You know what that means, right? That they find treasure in something you want to trash. You see, a reader is as variable as the books that get published. Their reading needs are fluid so some days a short eighteen page erotic romp between a were-wolf, a were-mink and the farmer's widow is just right. The next week that same reader will crave a high-brow murder mystery with emotional elements even Oprah would swoon over.
A reviewer needs to be objectively subjective. If a reviewer is concerned that they might accidentally request a book that is part of a series and they usually avoid those because they don't like feeling left out, check the publisher website before asking for the title. Quite a few list all the books in a series. Some author's sites do the same.
Additionally, there are many books out there that are part of a series and yet are complete unto themselves. But don't assume. If a reviewer does end up with a soap opera type tale where you really do need to understand what went on before, but there was enough to entertain you and keep you because it was that good - then resist making it a negative. Just give a reader a heads-up. Like this:
"This book totally kept my interest and it had a lot going for it. I had fun and I enjoyed the snappy dialogue between the hero and heroine. However, I need to give readers a heads up that this isn't a standalone read. I could tell there were pieces missing and I also realized that my reading experience could have been richer had I read some of the previous books in the series. As it is, it's definitely worth checking out. It has certainly whetted my appetite for more and I can't wait to find out!"
This example lets a reader know that it is enjoyable while giving voice to something positive. It also gives the information that it's a part of a series and while not a standalone, that the reviewer was able to enjoy the story as is. For first time readers, they'll understand what the book offers and what it lacks. In no way does it allow a reviewer's disappointment to color the review with a negative flavor. And remember, for followers of the series, they are going to want to know what works in the story as it is. They know what’s going on, so please avoid trashing it just because you didn’t.
Taking this one step further – I agree that a really super awesome book will not leave a reader feeling like they missed one of the main courses in their five course meal. I also know that books in a series can and do give you a complete tale while leaving cookie crumbs about the overall story arc. Be aware that there are publishers that excel at and promote short stories in a serial manner, much like the old T.V. cliff hangers. Once all the installments are revealed, they’ll then publish a “collection” which condenses them all into one giant volume.
Know your publishers.
If that is the style they are known for and you’re not a serial reader, then avoid reviewing the installments. Wait for the collection. Or read tales from a different publisher. But don’t paint a story in a negative light for things outside of the actual contents in a book (book length, cost, unfamiliar genre).
There are enough reasons to rate a book lower, from plot holes an elephant can fall through, lazy editing (let's call the hero different names), alpha men who wail and squeal and waffle, heroines who aren’t assertive but abrasive and unlikable (you want to make her go down those squeaky stairs into that dark musty cellar with the creepy scratchy noises when the lightbulb pops), and dialogue that doesn’t match the characters’ personalities (A regal queen talking like a punk rocker on steroids), just to name a few.
Please remember: review the book, the story, the part that people read. Everything else is up to them.
Tuesday, March 29, 2011
The Rapunzel Effect
What does Rapunzel have in common with reviews?
Try letting it all hang down.
Rapunzel lets down her hair - as a big hairy dump or a sensual unrolling of locks.
Reviews...well they can take an author's hopes and either slam them down to the ground or have those same hopes sensitively addressed by a gentle waterfall of words that won't harm but inform.
What am I really referring to? Lower rated reviews of the 2-3 level and the words used to address and explain what put them there in the first place.
First let me say that for LASR/WC, a three rating isn't that bad of a rating. I have no idea why or how it got the bad rap in the first place. Books with a three rating have always been enjoyable and entertaining, they just don't make me dream about them at night, nor do they make me want to rush out and buy every and all books in an author's backlist. What a three rating has always done for me is to pass the time in an enjoyable and welcome manner. When glitches are found, and they always are, the story and/or characters were done well enough that it didn't matter, I still found merit in the story. I still am glad I read it. And I'm happy to say so.
A three rating also means that as a reviewer I have the responsibilty to explain what I felt held the story back. The most important component of meeting that responsibility is to respect the author and her/his work and be as factual, professional and courteous as you can be. There should not be any attacks on the author by making personal references that try to connect the faults in the story with perceived faults in the person. That's ludicrous and unacceptable behavior.
Please bear in mind that I refer to reviews on professional sites and not personal blogs. People's personal blog space can be anything they want it to be and that means anything goes - free speech.
That being said, I ask, "What do you think drags down a story?"
My first thought is editing. If it's a self-published book then it's the author's complete burden. If it's published with a big house or even a smaller e-pub that has editors, then the editors let the author down. But some editing is so bad that it sinks the story. If a reader feels disconnected more than involved because of the constant interruption, that would prevent a higher mark.
What are some specific things that would drag a story down? Depending on degree, there are:
* Too Stupid To Live (TSTL) Hero or Heroine
* Plot holes - makes no sense
* Too many coincidences - how convenient and pat
* Bad or lazy research - American Slang used by a British character that's never been to America and the book takes place in England
* Telling instead of showing
* Head hopping - too many (POV) point of view shifts in too short a space
* Narrative or passive story telling
Those are just a few. The trick to mentioning these types of things in a review is to couch them with positives especially if it's a three rating. Threes should have plenty of good things to say.
Like I mentioned - Showing is tons better than telling.
So, check out these links that are of reviews with "three" ratings. I believe these to be straightforward, succinct and address the issues of the story itself without going off on unprofessional tangents.
The Boy Next Door
Sunrise in a Garden of Love and Evil
Fallen
Act Like We're In Love
Hot Spanish Nights
Although the last one is a four rating, the review showcased again how issues prevent a good book from being even better. So, as you can see, there are various ways to express things that didn't work for a reviewer. Always remember to surround the negatives with positives and the review should always end on a upbeat note.
Any questions?
Try letting it all hang down.
Rapunzel lets down her hair - as a big hairy dump or a sensual unrolling of locks.
Reviews...well they can take an author's hopes and either slam them down to the ground or have those same hopes sensitively addressed by a gentle waterfall of words that won't harm but inform.
What am I really referring to? Lower rated reviews of the 2-3 level and the words used to address and explain what put them there in the first place.
First let me say that for LASR/WC, a three rating isn't that bad of a rating. I have no idea why or how it got the bad rap in the first place. Books with a three rating have always been enjoyable and entertaining, they just don't make me dream about them at night, nor do they make me want to rush out and buy every and all books in an author's backlist. What a three rating has always done for me is to pass the time in an enjoyable and welcome manner. When glitches are found, and they always are, the story and/or characters were done well enough that it didn't matter, I still found merit in the story. I still am glad I read it. And I'm happy to say so.
A three rating also means that as a reviewer I have the responsibilty to explain what I felt held the story back. The most important component of meeting that responsibility is to respect the author and her/his work and be as factual, professional and courteous as you can be. There should not be any attacks on the author by making personal references that try to connect the faults in the story with perceived faults in the person. That's ludicrous and unacceptable behavior.
Please bear in mind that I refer to reviews on professional sites and not personal blogs. People's personal blog space can be anything they want it to be and that means anything goes - free speech.
That being said, I ask, "What do you think drags down a story?"
My first thought is editing. If it's a self-published book then it's the author's complete burden. If it's published with a big house or even a smaller e-pub that has editors, then the editors let the author down. But some editing is so bad that it sinks the story. If a reader feels disconnected more than involved because of the constant interruption, that would prevent a higher mark.
What are some specific things that would drag a story down? Depending on degree, there are:
* Too Stupid To Live (TSTL) Hero or Heroine
* Plot holes - makes no sense
* Too many coincidences - how convenient and pat
* Bad or lazy research - American Slang used by a British character that's never been to America and the book takes place in England
* Telling instead of showing
* Head hopping - too many (POV) point of view shifts in too short a space
* Narrative or passive story telling
Those are just a few. The trick to mentioning these types of things in a review is to couch them with positives especially if it's a three rating. Threes should have plenty of good things to say.
Like I mentioned - Showing is tons better than telling.
So, check out these links that are of reviews with "three" ratings. I believe these to be straightforward, succinct and address the issues of the story itself without going off on unprofessional tangents.
The Boy Next Door
Sunrise in a Garden of Love and Evil
Fallen
Act Like We're In Love
Hot Spanish Nights
Although the last one is a four rating, the review showcased again how issues prevent a good book from being even better. So, as you can see, there are various ways to express things that didn't work for a reviewer. Always remember to surround the negatives with positives and the review should always end on a upbeat note.
Any questions?
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